Changed the default target sampling rate from 44.1 kHz to 48 kHz because YTM recently changed its streaming format from AAC (141; 44.1 kHz & 256 kbps stereo) to Opus (774; 48 kHz & 256 kbps vbr stereo), Am@zon music had already changed its SD format from AAC (44.1 kHz & 256 kbps stereo) to Opus (48 kHz & 192 kbps vbr stereo) and YT had adopted Opus (251; 48 kHz & 160 kbps vbr stereo); Though this change affects very little for 44.1 kHz tracks (of which cut-off changes 20 kHz to 19 kHz)
Note that Opus encoders enforce low-pass filtering (cut-off: 20 kHz), but their decoders output ultra sonic noise by noise-shaping dithering when 16 bit depth outputting
v1.0.3
Changed the cut-off frequency from 94% to 93% for casual people to be appealed by its transparent
v1.0.2
Added a note for adjusting the cut-off for your devices
v1.0.1
Added settings for Hires. tracks commented out in "service.sh" for those who like Hires. tracks even on "cheapie" devices anyhow
Changed the default target sampling rate from 44.1 kHz to 48 kHz because YTM recently changed its streaming format from AAC (141; 44.1 kHz & 256 kbps stereo) to Opus (774; 48 kHz & 256 kbps vbr stereo), Am@zon music had already changed its SD format from AAC (44.1 kHz & 256 kbps stereo) to Opus (48 kHz & 192 kbps vbr stereo) and YT had adopted Opus (251; 48 kHz & 160 kbps vbr stereo); Though this change affects very little for 44.1 kHz tracks (of which cut-off changes 20 kHz to 19 kHz)
Note that Opus encoders enforce low-pass filtering (cut-off: 20 kHz), but their decoders output ultra sonic noise by noise-shaping dithering when 16 bit depth outputting
v1.0.3
Changed the cut-off frequency from 94% to 93% for casual people to be appealed by its transparent
v1.0.2
Added a note for adjusting the cut-off for your devices
v1.0.1
Added settings for Hires. tracks commented out in "service.sh" for those who like Hires. tracks even on "cheapie" devices anyhow